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''Jauchzet dem Herrn, alle Welt'' is a pasticcio motet for double SATB choir attributed to Georg Philipp Telemann, Johann Sebastian Bach and/or Johann Gottlob Harrer.〔Bach Digital Work at 〕 The text of the motet is a German paraphrase of Psalm 100. In the catalogue of works by Telemann (TWV) the three-movement motet has the number 8:10.〔 The scribe of one of the extant manuscripts of the work, a manuscript that attributes the work to Bach, was formerly believed to be Johann Christoph Altnickol,〔 Bach's son-in-law, but appears actually to be Johann Christoph Farlau.〔(D-B Mus. ms. Bach P 37, Fascicle 1 ) at 〕 Thanks to the researches of Peter Wollny, Farlau has been identified as copyist of a number of works by Bach, notably an early version of the St Matthew Passion.〔Peter Wollny, ''Tennstedt, Leipzig, Naumburg, Halle – Neuerkenntnisse zur Bach-Überlieferung in Mitteldeutschland'', Bach-Jahrbuch 2002, pp. 36–47.〕 Farlau is believed to have studied with Altnickol in the 1750s.〔David Schulenberg (2010).''The Music of Wilhelm Friedemann Bach''. University of Rochester Press.〕 His interest in Bach's music continued after Altnickol's death. His copy of ''Jauchzet dem Herrn, alle Welt'' is dated to the second half of the 18th century (1760–1789).〔 Another manuscript of around the same time attributes the work to "Bach and Telemann".〔(D-DS Mus. ms. 1325 ) at 〕 In the catalogue of works by Bach ''Jauchzet dem Herrn alle Welt'' appears in Anhang III, that is the appendix of spurious works, as . Nonetheless at least the second movement of the motet is derived from a composition by Bach: it is based on the second movement of his cantata BWV 28, which also appears as a separate motet for SATB choir BWV 28/2a (''Sei Lob und Preis mit Ehren'', formerly BWV 231).〔〔Bach Digital Work at 〕 The chorale cantata ''Gottlob! Nun geht das Jahr zu Ende'', BWV 28 was premiered by Bach at the end of 1725.〔 The second cantata movement differs from the rest of the cantata in being in motet style. It is based on Johann Gramann's hymn "ドイツ語:Nun lob, mein Seel, den Herren" (1530), the melody of which provides a ''cantus firmus''. The cantata movement BWV 28/2 and the motets (BWV 28/2a and TWV 8:10) use different stanzas of the text of the hymn. The first movement of ''Jauchzet dem Herrn alle Welt'' is likely an adaptation by Bach of a compostion by Telemann.〔〔Philipp Spitta. ''Johann Sebastian Bach''. Leipzig: Breitkopf & Härtel, third print (1921). (Vol. I, endnote 24 pp. 800–801 ) and (Vol. II, pp. 428–429 )〕 The third movement of ''Jauchzet dem Herrn alle Welt'' is an adaptation of the "Amen" TWV 1:1066, and was probably added to the composition by Harrer.〔 ==References== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jauchzet dem Herrn alle Welt」の詳細全文を読む スポンサード リンク
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